About
surf: censorship | WTF | pirates | piracy | copyright | war | art | control | surveillance |
|
Click here to check if anything new just came in.
February 26 2012
“— Warscape Sonata :: dyne.orgA sound art composition about the use of viral media to bypass the war on drugs in Mexico
Warscape Sonata is a sound art production that remixes information related to the current drug war in Mexico. RSS news channels, microblogging hashtags, and viral videos are used as sources for an electronic registry of the historic moment of militarized Mexico.
The information obtained from these sources is manipulated using GNU/Linux software to extract sound archives which are then used to create a noise musical structure that places aesthetic emphasis on the media aspect of the war.
This sound art composition also highlights the way in which Mexico’s civilian population experiments with information technologies to confront propaganda, social control and fear.
This social experiment with mass media is generating new forms of pop culture charaterized by intense human drama.
Warscape Sonata is a work in progress by Vlax, a digital artist and multimedia journalist based in Southern Mexico.
We believe that new cultural an economic spheres can be generated promoting collective returns in favor of Free Culture and social development.
Warscape Sonata is based in collective returnYou want to participate? Visit the Goteo crowdfunding campaing:
http://www.goteo.org/project/warscape-sonata
”
January 31 2012
“ Francis Ford Coppola is one of the most prestigious and critically acclaimed directors in cinematographic history. He directed, among others, the Godfather trilogy and Apocalypse Now, and has won so many awards it's hard to keep track. In an interview with 99%, he touched on the subject of art and making money, and his musings are fascinating, and yet another indication that the times are changing in the content industry. "Who says artists have to make money?" Coppola wonders. ”— Francis Ford Coppola: "Who Says Artists Have to Make Money?"
December 26 2011
Oaxacan Toymaker Keeps Fading Tradition Alive
China mass produces most of the toys you’ll find in stores these days. If you’re looking for incricate handcrafted toys made in local workshops, you may have to go to Oaxaca, Mexico. That’s where Miguel Ramirez has been making toys for more than 40 years.
Download audio file (WVR_toymaker-mexico.mp3)
[FIREWORKS]
Public celebrations like New Year’s Eve and Independence Day draw huge crowds to Oaxaca City’s central square. The celebrations include fireworks, live music, and…
[FOAM FIGHT]
…playful fights with spray foam. By the time the party is over, empty aerosol cans blanket the square. It’s an amazing amount of litter…but not all of it ends up in a landfill.
[COLLECTING CANS]
RAMIREZ (in Spanish, voiced over): “So we pick it up, as much as we can. We’re able to gather around 10, 15, even 20 sacks full and they
last us all year.”
That’s local artist Miguel Ramirez. More than four decades ago, he started turning these cans into toy airplanes, helicopters, trains, antique cars…and even UFOs.
Mr. Ramirez has a toy workshop in his home, where he shows me how he turns the empty spray cans into raw material for his creations.
[Miguel Ramirez cutting cans – reporter describes process]
He takes one of the cans out of a sack, holds down the valve to release any remaining air, then knocks the valve off. Then, he hammers the tip of a knife into the upper side of the can and cuts off its top. Ramirez uses the tops to make the wheels for his trains and cars. Next, he cuts off the bottom of the can…. Bottoms make good reflectors. Then, he slices up the can’s metal seam with scissors.
RAMIREZ (in Spanish): “Then you open it up, then flatten the metal.”
Ramirez uses a thick piece of wood to do that.
RAMIREZ: “From there, you wash it with a good amount of water. Once it’s clean, you let it dry, shine it with newspaper and then fold over the edges.”
[SANDER STARTING UP]
He makes sure to leave no sharp edges. What he can’t fold into a side seam, he smooths over with a sanding wheel. Ramirez transforms the sheet metal into car chassis, steam engine chimneys, and decorative ladders for his UFOs. Solder holds everything together.
All of his creations… which can be up to 2 feet long…. have moving parts and some make sounds – like this airplane.
[PLANE CLICKING SOUND]
RAMIREZ: “That’s what gets the attention of young people, children and even adults (laughs).”
Ramirez and his wife take to the streets occasionally to sell their pieces…but it’s a bit tricky. They don’t have an expensive street vendor’s
license. So they have to do their selling while walking. They cradle a model or two in their arms while carrying others in tote bags slung over their shoulders.
Patricia Diaz has bought several pieces from Ramirez and recalls the 1st time she saw him and his wife.
PATRICIA DIAZ (in Spanish, voiced over): “I saw them walk by selling these toys, or these objects made from sheet metal. I went downstairs to inquire and they had already walked ahead. I had almost lost them, but I caught up and well, I really liked what they had. It’s really lovely and well done work.”
The work is also very labor-intensive. Miguel Ramirez says he can produce 6 trains or cars in one month. He repairs electronic appliances to supplement the family income, but says his heart is in his handcrafted artwork.
RAMIREZ: “The work is very labor-intensive, but it’s worthwhile. I feel good doing this work.
One of his handmade cars or trains costs about 50 dollars. That’s about the same as a remote controlled vehicle or a brand name plastic toy truck of the same size. The big difference being the metal toy is more likely to survive an entire childhood.

November 22 2011
October 29 2011
“ The licensed work will then have a life of its own, an autonomy granted by a specific freedom of use, not defined by its author, but by the license she or he chose. Delegating such rights is not a light decision to make. Thus we must ask ourselves why an artist would agree to bind her or his work to such an important legal document. After all, works of art can already 'benefit' from existing copyright laws, so adding another legal layer on top of this might seem unnecessary bureaucracy, unless the added 'paper work' might in fact work as a form of statement, possibly a manifesto. In this case we must ask ourselves what kind of manifesto are we dealing with, what is its message? What type of works does it generate, what are their purpose and aesthetic? ”— AYMERIC MANSOUX
June 18 2011
February 27 2011
“ The Central Intelligence Agency used American modern art - including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko - as a weapon in the Cold War. In the manner of a Renaissance prince - except that it acted secretly - the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years. (...) this new artistic movement could be held up as proof of the creativity, the intellectual freedom, and the cultural power of the US. Russian art, strapped into the communist ideological straitjacket, could not compete. ”— Modern art was CIA 'weapon' - World, News - The Independent
December 12 2010
September 19 2010
May 09 2010
May 04 2010
April 13 2010
Maybe Soup is currently being updated? I'll try again automatically in a few seconds...










